Bodies are in a place that is already no longer existing and begins to be forgotten. Whoever enters this place becomes a memory themselves, rewrites it, overwrites it, and lets historicity come alive through their own presence. The chord work becomes the score of the remembering dance. The rhythm of the machines and the mechanized movements are activated in the body, transposed, and live on. They outlast the material remains.
The project is based on research about the GAIL building ceramics factory in Giessen. The huge former site of the traditional factory lies dilapidated and neglected. No one can enter the large halls anymore. All tunnels and buildings are in danger of collapsing. The potential of this eventful history is inaccessible and continues to decay.
LOCATED EMBODIMENT
BY talpa elastica || Melina Brinkmann | Talisa Frenschkowski | Ruth Süpple
Choreography and Dance || Melina Brinkmann
Camera || Talisa Frenschkowski | Ruth Süpple
Editing || Talisa Frenschkowski
Sounddesign || Ruth Süpple
Costume || Tina Muffler
Thanks to Andrej Mircev
Theatermaschine 2020
short tiger short movie festial 2021
idea & concept
scenographic design
production
technical organisation
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Hesitate and continue.
Doubt creeps into the slippery corners of the self.
Rigid gesticulations liquefy.
Transform in creeper manner to infinite dissolving processes - linking to a
link themselves to a systemless encyclopedia of the unspeakable. A system without order. Fragile and out of itself.
Pausing, (deconditioning), in order to begin anew.
A project based on Henri Michaux by Tanja Höhne, Lara Marie Weine, Melina Brinkmann, Lisa Birkenbach and Ruth Süpple.
Seminar presentation in the context of the scenic project "the room coughed at me" directed by Heiner Goebbels.
Premiere: March 2021
Ort//location: theaterlaboratory Gießen
conceptual work
camera
sound design
TIEFENRAUSCHEN//deep noise
experimental short movie
Digital is not seamless. It is the systematized scanning of analog. Wherever there is no scanning, a vacuum is created in which everything lying next to it becomes a reference for a gap that does not exist in reality but pretends to be real in the translation as a mirage. An unidentical image imperfect like its role-model.
The window a transit space, a membrane from inside to outside from outside to inside. Permeable and at the same time isolated. Where my field of vision ends, the privacy of others begins. A border that cannot be drawn, I focus, I move closer until inside and outside dissolve and become noise, a stream of macro movements. Detached until the scene exposes itself.
Theatermaschine 2021
eckigeaugen-festival 2021
HERBI VORARE
video lecture performance
What is recreation and what is poison is entirely a question of cultural attitude. [...]
One can remain human while being mixed up – because to be human is to be mixed up. [Elvia Wilk, “this compost: erotic of rot”]
What happens when we encounter objects as subjects? How do I relate to these subjects, how do I approach them, how do I move and act with them? Am I plant or plastic?
idea & concept
scenographic design
performance
light & sound design
idea & concept
camera
editing
scenography
voiceover
MATERIALLABOR//material laboratory - "Anschlussverwendung"
artistic research laboratory for biomaterials
Hills, bumps, bubbles, and dark matter as images of unusually familiar materials, created from experimenting with organic material and its deconstruction.
An installation by Mara Kirchberg, Sophia Scherer and Ruth Süpple
Grünebergerstraße 22 Gießen, Anschlussverwendung
The confrontation takes place at the interface between artistic research and natural science: while artistic practice reveals aesthetic approaches to biochemical processes, these inform the creative process of creation.
The resulting collaborative practice serves to deconstruct, fuse, and transform - in other words, "repurpose" - organic material. In its new guise, the material forms a basis for the aesthetic exploration of diverse forms of organic life. In its textures, fibers, and tissues, an otherwise invisible micro-level is examined, viewed through a microscope, which can simultaneously be transferred to the macro-level and illuminate or reflect it in a new way.
researchphase spring 2021
installation: Theatermaschine 2021
installation design
artistic research
videoediting